After production is finished, it is then time for post-production. This consists of editing the movie. Depending upon your ability with modifying, either have an expert edit your film, or modify the film yourself. I extremely advise to have someone with a modifying background to be present with you throughout editing regardless, to function as a consultant.
Interested? Good! Check back often! This is a work in development, and it will progress as we go gladly avoiding down the danger-strewn yellow brick roadway together in this crazy thing called show-biz. I'm looking forward to sharing and offering back some of the knowledge and experiences that have allowed me to proclaim myself an effective filmmaker. Yes undoubtedly, in some cases I puff out my chest and scream my barbaric yawp; "I am an effective FILMMAKER, dammit!" I admit that I do get some amusing looks in some cases too.
This was not the very first time I have actually had this feedback on the "Stash Area" movie script. I made a mental note to return and actually look at the thread in the script. Boom! When they asked me to visually describe a few of the scenes they liked I was cool with it. They handed me the script with their notes and I pitched as a director on how I aesthetically saw the scenes being revealed in the last cut. This is where it can get slippery. Financiers do not want to toss cash away. They desire you to be imaginative, however not to a point where you can't provide a motion picture because you're too anal.
Myth # 1: film schools have influence in the market. This is not Organization School. Going to Harvard may get you a soft task at Goldman Sachs. In the movie industry, everybody works their method up from the bottom. Duration. It does not matter if you went to NYU or USC. I recommend calling the Comar Agency. (I am unaffiliated with them). They are a staffing agency specializing in the Show business. Call and ask if a movie degree makes you any much better a candidate for a job than someone without that degree. And if not, then why not obtain a film job today?
You can likewise "pull" your movie. This is the exact opposite of pushing. Film is exposed at a slower speed and then developed as if it were slower. This procedure reduces contrast however produces much better mid variety tones.
Now back to the sheet movie which is all but obsolete today. It is thick and flat so that it can slide into light proof holders. This became the favorite of specialists and major art photographers in early film production 1900's and on to the 1950's when movie and lens innovation began to make these cumbersome formats, some as large as 11x14 inches and even bigger, rather obsolete and now they are essentially gone other than for a couple of crazed enthusiasts.